Dave Hullfish Bailey

A museum installation and an architectural construction sited at the edge of a nearby field, produced for Socle du Monde 2004. The site work suggests itself as a potential platform for bird watching, listening to pop music, and other amateur-isms popular in the area. The parallel museum installation used a series of formal conjunctions, linguistic plays, and spatial puns to re-organize souvenirs and personal effects borrowed from local residents. This project evolved through close collaboration with employees of the construction firm C.C. Contractor and their families.